Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision
Previous revision
post_glacial_rebound [2022-08-11 16:21] – [Before the walk] nikpost_glacial_rebound [2022-08-15 17:38] (current) – [Quick guide to the Post Glacial Rebound soundwalk] maja
Line 25: Line 25:
 //Incomplete without surface noise of the Anthropocene, accidental gestures and interference of instruments. Imperfections are an expected part of the process.//  //Incomplete without surface noise of the Anthropocene, accidental gestures and interference of instruments. Imperfections are an expected part of the process.// 
  
-More about the soundwalk can be found at https://fo.am/publications/post-glacial-rebound/+More about the soundwalk can be found at https://fo.am/publications/post-glacial-rebound/ \\ 
 + 
 +Read more about the background and collaboration in this [[https://contemporaryartarchipelago.org/publication/interview-with-transdisciplinary-studio-foam-earth/|Interview with FoAM Earth]]
  
  
Line 97: Line 99:
  
  
----- 
  
-Post Glacial Rebound is made for [[https://libarynth.org/spectres_in_change| Spectres in Change]], a project that invites international contemporary artists to work at the multidisciplinary research institute focused on climate change in the Turku Archipelago, Finland.  +==== credits ==== 
 + 
 +Released August 2022 
 + 
 +Sound design and artwork by FoAM (Nik Gaffney & Maja Kuzmanovic) 
 + 
 +Produced in collaboration with CAA Contemporary Art Archipelago (Taru Elfving and Lotta Petronella) and the Archipelago Research Institute (Katja Mäkinen, Ilppo Vuorinen, Jari Hänninen, and Jasmin Inkinen) featuring plant recordings by Kalle Hamm and the Band of Weeds. 
 + 
 +https://contemporaryartarchipelago.org/ 
 +https://sites.utu.fi/seili/en/title/ 
 +https://contemporaryartarchipelago.org/the-new-pangaea/ 
 + 
 + 
 +Recorded and resynthesised with the landscapes and inhabitants on Seili in the Archipelago Sea, with co-operation of a Sennheiser AMBEO VR Mic (and Deadkitten), Zoom-H6, Sony PCM-D100, H2a hydrophone, miscellaneous mobile phones and computers for audio and data processing using Ardour, Audacity, SuperCollider, Tidal, LibreOffice, Emacs, with an adhoc collection of racket and python scripts. Thanks to their material substrate and the myriad invisible products of human effort and ingenuity.  
 + 
 +Thanks to all the animate, inanimate and partially animate participants in the field recordings and time series. Thanks to the dawn and twilight choruses, to the insects near the viking garden and the mosses of Leper's rock. To the reeds and grasses, trees and pebbles. To the moth catcher and the dying fridge of Portti pääty. To the rain, dew and sea water. To the droning ships and airplanes, the background hum of the Eurovision Song Contest and other spectral disturbances. To the critters crawling through lichen and floating in the shallows, invisible to human eyes. To the ticks and herring, zooplankton and phytoplankton, and the changing levels of salt, oxygen and chlorophyl in the Archipelago Sea. To the birds and bats, and many others who walked and fluttered near or across our microphones. Thank you. This soundscape would not have been possible without you.    
 + 
 +Post Glacial Rebound was made as part of [[https://libarynth.org/spectres_in_change| Spectres in Change]], a project that invites international contemporary artists to work at the multidisciplinary research institute focused on climate change in the Turku Archipelago, Finland.  
  
-With thanks to Taru Elfving and the CAA for their continued support; Katja Mäkinen for the time series data, ARI sharing their wealth of knowledge and infrastructure during our residency on the island; Kalle Hamm and the Band of Weeds for their recordings of plants+Supported by CAA and the Liminous Foundation
  
  
  
  • post_glacial_rebound.1660234913.txt.gz
  • Last modified: 2022-08-11 16:21
  • by nik