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art_robots [2009-03-31 12:01] – davegriffiths | art_robots [2009-04-02 10:23] – davegriffiths | ||
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+ | Norman' | ||
+ | - Art should concern itself as much with behavior as it does with appearance. | ||
+ | - Some of the best art happens when behavior and appearance are completely at odds with each other. | ||
+ | - Economy of means is a critical part of aesthetics. | ||
+ | - Art functions best, and is most needed, outside of galleries and museums. | ||
+ | |||
+ | * [[http:// | ||
+ | * **1995** Ken Goldberg, Joseph Santarromana, | ||
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+ | {{: | ||
+ | |||
+ | * **1996** [[http:// | ||
+ | < | ||
+ | The goal of Petit Mal is to produce a robotic artwork which is truly autonomous; which is nimble and has " | ||
+ | </ | ||
+ | |||
+ | * [[http:// | ||
+ | * [[http:// | ||
+ | * [[http:// | ||
+ | < | ||
+ | The Autotelematic Spider Bots 2006, is a new artificial life robotic installation. It consists of 10 spider-like sculptures that interact with the public in real-time and self-modify their behaviors, based on their interaction with the viewer, themselves, their environment and their food source.</ | ||
+ | * Martin Spanjaard inventor of a ballbot called [[wp> | ||
+ | * Ulrike Gabriel [[http:// | ||
+ | < | ||
+ | Two users sit facing each other, wearing interfaces of a brainwave detection system on their heads. Between the two is a round glass table where the solar robots live. The brain waves of the users are measured, analyzed and compared. The alteration in wave patterns determine the speed, behavior and the terrain areas of activity. The movement of the robots will be lively if the users minds are calm. Due to the different combinations of users and their inner response to each other, varying light patterns from top-down and bottom-up affect the terrain. The robot population begins to move in significant patterns of motion over the changing terrain area. The patterns are the interpretation of the two users" synergy, embodying subliminal tendencies: the more closely the brain wave frequencies of the users resemble each other, the more homogeneously the robot population moves, attaining a fluidity of motion and behavior over the entire robot terrain. | ||
+ | </ | ||
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+ | {{: | ||
* [[http:// | * [[http:// | ||
* [[http:// | * [[http:// | ||
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- Early painting (1 dimensional rendition) | - Early painting (1 dimensional rendition) | ||
- Modern painting (2 dimensional rendition) | - Modern painting (2 dimensional rendition) | ||
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- Robotics (3 dimensional rendition in time) | - Robotics (3 dimensional rendition in time) | ||
- Cinematic Theatre/ | - Cinematic Theatre/ | ||
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- | * [[http:// | ||
* [[http:// | * [[http:// | ||
< | < | ||
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* [[http:// | * [[http:// | ||
- | * [[http:// | + | * [[http:// |
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+ | ====Robots as theatre/ | ||
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+ | See also [[movement behaviour animation and robots]] | ||
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+ | * [[http:// | ||
+ | * [[http:// | ||
+ | * [[http:// | ||
+ | | ||
====Robot generated art==== | ====Robot generated art==== |