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experience_inflatables [2008-02-01 10:49] – 62.166.51.71experience_inflatables [2008-02-16 21:47] – 62.166.51.71
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 ==== Experience Inflatables ==== ==== Experience Inflatables ====
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 Zorb: Zorbs are rolling all over the world: the zorb-speed record rolling downhill is 65km/hours\\ Zorb: Zorbs are rolling all over the world: the zorb-speed record rolling downhill is 65km/hours\\
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-{{nova15.jpgwww.zorb.cz:fotoalbum:05:imagepages:image15.jpg?350}}+
  
 {{hr_he1.jpg?400}}{{yellow_heart.jpg?478}}\\ {{hr_he1.jpg?400}}{{yellow_heart.jpg?478}}\\
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 {{nova15.jpgwww.zorb.cz:fotoalbum:05:imagepages:011_001.jpg?350}}{{nova15.jpgwww.zorb.cz:fotoalbum:05:imagepages:011_002.jpg?335}}{{nova15.jpgwww.zorb.cz:fotoalbum:05:imagepages:011_003.jpg?330}}\\ {{nova15.jpgwww.zorb.cz:fotoalbum:05:imagepages:011_001.jpg?350}}{{nova15.jpgwww.zorb.cz:fotoalbum:05:imagepages:011_002.jpg?335}}{{nova15.jpgwww.zorb.cz:fotoalbum:05:imagepages:011_003.jpg?330}}\\
 Movie Movie: Theo Botschuijver, Sean Wellesley-Miller, Tjebbe van Tijen & Jeffrey Shaw, 1967\\ Movie Movie: Theo Botschuijver, Sean Wellesley-Miller, Tjebbe van Tijen & Jeffrey Shaw, 1967\\
-While the inflatable steucture was being gradually inflated, film, slides and liquid-light show effects were projected onto its surface. Its fully inflated shape was a 7m diameter and 10m high cone with an outer transparent membrane and an inner white surface. The projected imagery first impinged lightly on the outer envelope and then appeared on the semi-inflated inner surface; in the intermediate space various material actions were performed. +While the inflatable structure was being gradually inflated, film, slides and liquid-light show effects were projected onto its surface. Its fully inflated shape was a 7m diameter and 10m high cone with an outer transparent membrane and an inner white surface. The projected imagery first impinged lightly on the outer envelope and then appeared on the semi-inflated inner surface; in the intermediate space various material actions were performed.\\
 The intention of this work was to transmute the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation. The multiple projection surfaces allowed the images to materialise in many layers, and of the audience (many of whom spontaneously took off all their clothes) became part of the cinematic spectacle. In this way the immersive space of cinematic fiction included the literal and interactive immersion of the viewers who modulating the changing shapes of the pneumatic architecture which in turn modulated the shifting deformations of the projected imagery.With speakers placed both outside and inside the structure, its acoustic environment was also modulated in this way.\\ The intention of this work was to transmute the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation. The multiple projection surfaces allowed the images to materialise in many layers, and of the audience (many of whom spontaneously took off all their clothes) became part of the cinematic spectacle. In this way the immersive space of cinematic fiction included the literal and interactive immersion of the viewers who modulating the changing shapes of the pneumatic architecture which in turn modulated the shifting deformations of the projected imagery.With speakers placed both outside and inside the structure, its acoustic environment was also modulated in this way.\\
 source: http://www.jeffrey-shaw.net\\ source: http://www.jeffrey-shaw.net\\
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 “I can feel like an individual in the midst of humanity, through the image of something internal such as a cell, an atom, or a fetus. Keeping in mind the insignificance of humanity, as I shrink ever smaller, it may be possible to confirm my existence in the universe on an electronic level. Or this work may simply serve as a space to meditate. The heartbeat is the very first rhythm humans feel. I believe all music has the heartbeat as its source. The moment that human beings connect to the heartbeat that flows within us, the music that we hear starts to sound right.”\\ “I can feel like an individual in the midst of humanity, through the image of something internal such as a cell, an atom, or a fetus. Keeping in mind the insignificance of humanity, as I shrink ever smaller, it may be possible to confirm my existence in the universe on an electronic level. Or this work may simply serve as a space to meditate. The heartbeat is the very first rhythm humans feel. I believe all music has the heartbeat as its source. The moment that human beings connect to the heartbeat that flows within us, the music that we hear starts to sound right.”\\
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-{{:bild-1.jpg|}}{{:bild-2.jpg|}}+{{:bild-2.jpg|}}{{:bild-1.jpg?400}}\\
  E.A.T. – Experiments in Art and Technology, «Pepsi Pavilion for the Expo '70», 1970  E.A.T. – Experiments in Art and Technology, «Pepsi Pavilion for the Expo '70», 1970
 Spherical Mirror (model) | © Spherical Mirror (model) | ©
-Experiments in Art and Technology invites you to a Party-Demonstration of a 90-Foot, 210 Degree Spherical Mirror made of Mylar, a full-scale Model of the Mirror for the PEPSI-COLA Pavilon. The Marine Corps Air Station, Santa Ana. September 30, 7-11 pm. R.S.V.P. 213 467 2123. Directions from L.A. to the Marine Corps Station. Santa Ana Freeway to red Hill Boulevard, turn right for 1 1/2 miles. Large red MCAS Sign on left. From San Diego Freeway to Riverside Freeway. 2nd Exit after Newport Boulevard to Red Hill Boulevard. Left to large Sign.+A 90-Foot, 210 Degree Spherical Mirror made of Mylar, a full-scale Model of the Mirror for the PEPSI-COLA Pavilon. The Marine Corps Air Station, Santa Ana. September 30, 7-11 pm. R.S.V.P. 213 467 2123.\\
 - E.A.T. – Experiments in Art and Technology - E.A.T. – Experiments in Art and Technology
-«Pepsi Pavilion for the Expo '70»\\+«Pepsi Pavilion for the Expo '70» Photograph: Fujiko Nakaya | ©\\
 «The ‹Pepsi Pavilion› was first an experiment in collaboration and interaction between the artists and the engineers, exploring systems of feedback between aesthetic and technical choices, and the humanization of technological systems. Klüver‘s ambition was to create a laboratory environment, encouraging ‹live programming› that offered opportunity for experimentation, rather than resort to fixed or ‹dead programming› as he called it, typical of most exposition pavilions. [...] The Pavilion‘s interior dome–immersing viewers in three-dimensional real images generated by mirror reflections, as well as spatialized electronic music–invited the spectator to individually and collectively participate in the experience rather than view the work as a fixed narrative of pre-programmed events. The Pavilion gave visitors the liberty of shaping their own reality from the materials, processes, and structures set in motion by its creators.» «The ‹Pepsi Pavilion› was first an experiment in collaboration and interaction between the artists and the engineers, exploring systems of feedback between aesthetic and technical choices, and the humanization of technological systems. Klüver‘s ambition was to create a laboratory environment, encouraging ‹live programming› that offered opportunity for experimentation, rather than resort to fixed or ‹dead programming› as he called it, typical of most exposition pavilions. [...] The Pavilion‘s interior dome–immersing viewers in three-dimensional real images generated by mirror reflections, as well as spatialized electronic music–invited the spectator to individually and collectively participate in the experience rather than view the work as a fixed narrative of pre-programmed events. The Pavilion gave visitors the liberty of shaping their own reality from the materials, processes, and structures set in motion by its creators.»
 source: http://www.mediaartnet.org/works/pepsi-pavillon/?desc=full source: http://www.mediaartnet.org/works/pepsi-pavillon/?desc=full
  
  
-{{001_001.jpg|001_001.jpg}}\\ +{{001_001.jpg|001_001.jpg}}  {{030_001.jpg|030_001.jpg}}\\ 
-Airground Mattress: 1968 Jeffrey Shaw & Theo Boschuiver,[aswell the inventor of the "jump cushion"]\\ +-Airground Mattress: 1968 Jeffrey Shaw & Theo Boschuiver,[aswell the inventor of the "jump cushion"]\\ 
-source: http://www.jeffrey-shaw.net +source: http://www.jeffrey-shaw.net\\ 
- +-Waterquake: Theo Botschuiver & Jeffrey Shaw, 1970\\
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-{{030_001.jpg|030_001.jpg}}\\ +
-Waterquake: Theo Botschuiver & Jeffrey Shaw, 1970\\ +
 In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted these tubes into various forms - when they broke holes in the plastic skin the smoke inside was released.\\ In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted these tubes into various forms - when they broke holes in the plastic skin the smoke inside was released.\\
-source:  http://www.jeffrey-shaw.net+source:  http://www.jeffrey-shaw.net\\
  
  
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 {{air_bag_2.jpg|air_bag_2.jpg}} {{air_bag_2.jpg|air_bag_2.jpg}}
  
-**more inflatable image sections:**  [[Inflatable Spaces]] - [[Powered by Wind]] - [[Parasite Inflatables]] - [[Soap Experiences]] - [[When Nature Inflates]] - [[Environmental Blendings]] - [[Hardened Bubbles]] - [[Inflatable Spaces]] - [[Inflatable Sound]] - [[Interactive Inflatables]] - [[Inflatable Wearables]] - [[The Non Categorized Inflatables]] - [[Lighter than Air]] - [[NASA Inflatables]] **or go back to**: [[Cocky Eek]]+**more inflatable image sections:**  [[Inflatable Spaces]] - [[Powered by Wind]] - [[Parasite Inflatables]] - [[Soap Experiences]] - [[When Nature Inflates]] - [[Environmental Blendings]] - [[Hardened Bubbles]]  - [[Inflatable Sound]] - [[Interactive Inflatables]] - [[Inflatable Wearables]] - [[The Non Categorized Inflatables]] - [[Lighter than Air]] - [[NASA Inflatables]] **or go back to**: [[Cocky Eek]]
  
 -- [[Cocky Eek]] - 30 Jan 2007 -- [[Cocky Eek]] - 30 Jan 2007
  
  
  • experience_inflatables.txt
  • Last modified: 2014-09-27 17:47
  • by cocky