Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision		 Previous revision
Next revisionBoth sides next revision
experience_inflatables [2008-02-01 10:55] – 62.166.51.71experience_inflatables [2009-02-02 11:24] – 77.248.1.223
Line 1: Line 1:
 ==== Experience Inflatables ==== ==== Experience Inflatables ====
 +
 +
 +
 +
  
  
Line 67: Line 71:
 The intention of this work was to transmute the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation. The multiple projection surfaces allowed the images to materialise in many layers, and of the audience (many of whom spontaneously took off all their clothes) became part of the cinematic spectacle. In this way the immersive space of cinematic fiction included the literal and interactive immersion of the viewers who modulating the changing shapes of the pneumatic architecture which in turn modulated the shifting deformations of the projected imagery.With speakers placed both outside and inside the structure, its acoustic environment was also modulated in this way.\\ The intention of this work was to transmute the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation. The multiple projection surfaces allowed the images to materialise in many layers, and of the audience (many of whom spontaneously took off all their clothes) became part of the cinematic spectacle. In this way the immersive space of cinematic fiction included the literal and interactive immersion of the viewers who modulating the changing shapes of the pneumatic architecture which in turn modulated the shifting deformations of the projected imagery.With speakers placed both outside and inside the structure, its acoustic environment was also modulated in this way.\\
 source: http://www.jeffrey-shaw.net\\ source: http://www.jeffrey-shaw.net\\
 +{{http://imaginarymuseum.org/1967zzbelMOV2x00.jpg}}\\
 +I (Tjebbe van Tijen) just (2/2/2009) discovered this page and let me add some information to get a better understanding:
 +The event took place at the Experimental Film Festival of Knokke Le Zoute (Belgium) so was in all its literal flexibility and spatial dynamics a comment on the fixity of regular cinema experiments that tend to remain within the frame of the standard projection equipment. So it confronted the audience mostly made up of cinema people with their imprisonment within the cinema screen. There was life electronic music done by the group Musica Elettronica Viva at that time based in Rome with among others Fredric Rezewsky and Richard Teitelbaum. The visual content is also important to mention in more detail, as a selection of advertisement and governmental propaganda movies were projected, from an anti-communist comic by the American John Birch Society to USA government movies showing the air war over Vietnam. This last visual statement was misunderstood by some members of the audience as far as I remember belonging to Marxist-Leninist student opposition from West-Berlin. There were shouts against American imperialism from the audience ... Last year this event was commemorated at the Rotterdam Film Festival and I made a 'visual narrative scroll' for that occasion. It can be found at this address:
 +[[http://imaginarymuseum-archive.org/aaa/1967_moviemovie/]]\\
 +Move the small red bar in the middle at the top of the window gently and a tiny bit to start sliding through the whole scroll.
 \\ \\
  
Line 83: Line 92:
 A 90-Foot, 210 Degree Spherical Mirror made of Mylar, a full-scale Model of the Mirror for the PEPSI-COLA Pavilon. The Marine Corps Air Station, Santa Ana. September 30, 7-11 pm. R.S.V.P. 213 467 2123.\\ A 90-Foot, 210 Degree Spherical Mirror made of Mylar, a full-scale Model of the Mirror for the PEPSI-COLA Pavilon. The Marine Corps Air Station, Santa Ana. September 30, 7-11 pm. R.S.V.P. 213 467 2123.\\
 - E.A.T. – Experiments in Art and Technology - E.A.T. – Experiments in Art and Technology
-«Pepsi Pavilion for the Expo '70»\\+«Pepsi Pavilion for the Expo '70» Photograph: Fujiko Nakaya | ©\\
 «The ‹Pepsi Pavilion› was first an experiment in collaboration and interaction between the artists and the engineers, exploring systems of feedback between aesthetic and technical choices, and the humanization of technological systems. Klüver‘s ambition was to create a laboratory environment, encouraging ‹live programming› that offered opportunity for experimentation, rather than resort to fixed or ‹dead programming› as he called it, typical of most exposition pavilions. [...] The Pavilion‘s interior dome–immersing viewers in three-dimensional real images generated by mirror reflections, as well as spatialized electronic music–invited the spectator to individually and collectively participate in the experience rather than view the work as a fixed narrative of pre-programmed events. The Pavilion gave visitors the liberty of shaping their own reality from the materials, processes, and structures set in motion by its creators.» «The ‹Pepsi Pavilion› was first an experiment in collaboration and interaction between the artists and the engineers, exploring systems of feedback between aesthetic and technical choices, and the humanization of technological systems. Klüver‘s ambition was to create a laboratory environment, encouraging ‹live programming› that offered opportunity for experimentation, rather than resort to fixed or ‹dead programming› as he called it, typical of most exposition pavilions. [...] The Pavilion‘s interior dome–immersing viewers in three-dimensional real images generated by mirror reflections, as well as spatialized electronic music–invited the spectator to individually and collectively participate in the experience rather than view the work as a fixed narrative of pre-programmed events. The Pavilion gave visitors the liberty of shaping their own reality from the materials, processes, and structures set in motion by its creators.»
 source: http://www.mediaartnet.org/works/pepsi-pavillon/?desc=full source: http://www.mediaartnet.org/works/pepsi-pavillon/?desc=full
Line 107: Line 116:
 {{air_bag_2.jpg|air_bag_2.jpg}} {{air_bag_2.jpg|air_bag_2.jpg}}
  
-**more inflatable image sections:**  [[Inflatable Spaces]] - [[Powered by Wind]] - [[Parasite Inflatables]] - [[Soap Experiences]] - [[When Nature Inflates]] - [[Environmental Blendings]] - [[Hardened Bubbles]] - [[Inflatable Spaces]] - [[Inflatable Sound]] - [[Interactive Inflatables]] - [[Inflatable Wearables]] - [[The Non Categorized Inflatables]] - [[Lighter than Air]] - [[NASA Inflatables]] **or go back to**: [[Cocky Eek]]+**more inflatable image sections:**  [[Inflatable Spaces]] - [[Powered by Wind]] - [[Parasite Inflatables]] - [[Soap Experiences]] - [[When Nature Inflates]] - [[Environmental Blendings]] - [[Hardened Bubbles]]  - [[Inflatable Sound]] - [[Interactive Inflatables]] - [[Inflatable Wearables]] - [[The Non Categorized Inflatables]] - [[Lighter than Air]] - [[NASA Inflatables]] **or go back to**: [[Cocky Eek]]
  
 -- [[Cocky Eek]] - 30 Jan 2007 -- [[Cocky Eek]] - 30 Jan 2007
  
  
  • experience_inflatables.txt
  • Last modified: 2014-09-27 17:47
  • by cocky