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future_fabulators:notes_from_bbb13 [2013-11-12 13:04] – Pratchett! section timbo | future_fabulators:notes_from_bbb13 [2014-03-05 05:31] (current) – nik | ||
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==== Notes From BBB13 ==== | ==== Notes From BBB13 ==== | ||
- | Biennale des Bewegte | + | **Biennale des Bewegten |
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Delius: " | Delius: " | ||
+ | Stepahn Schwans addition / objection here was, that *participation can be segregating* as well. Especially if participation becomes a requirement for contribution and/or basic reception of content. | ||
+ | Furthermore he brought up the issue, that participation - especially within edutainmaint - most of the times stays rather flat and is far away from intensifying an expierence. | ||
**Museum als Möglichkeitsform** | **Museum als Möglichkeitsform** | ||
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Danger of Augmented Reality: once we have created images (or worse, had them created for us), it is hard to emancipate ourselves from them. | Danger of Augmented Reality: once we have created images (or worse, had them created for us), it is hard to emancipate ourselves from them. | ||
- | Barriers: There are multiple levels of barriers to experiencing a work. Language, culture, technology. With the disappearance of barriers, works lose their meaning. BUT barriers may not be created to keep the non-elites outside. | + | *Barriers*: There are multiple levels of barriers to experiencing a work. Language, culture, technology. With the disappearance of barriers, works lose their meaning. BUT barriers may not be created to keep the non-elites outside. What was brought up here was, that the fact of " |
Question: Can an exhibition App ever get close to a Dandyesque performing curator or a discussion with an equally ignorant but interested friend as one moves through an exhibition, | Question: Can an exhibition App ever get close to a Dandyesque performing curator or a discussion with an equally ignorant but interested friend as one moves through an exhibition, | ||
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She often talked about writers as vital and professional, | She often talked about writers as vital and professional, | ||
+ | === Expanded Radio / Expanded Narration === | ||
+ | *Sabine Breitsamer - Professor of Sound and Media Culture in the Department of Media at Hochschule Darmstadt* and is a co-founder of the Masters program "Sound Studies" | ||
+ | |||
+ | * she gave an historic overview of the development of radio play & radio dramas - which she defines as " | ||
+ | * furthermore she has shown examples representing the development from mono-directional radio towards tow-way communication usage | ||
+ | **Examples** | ||
+ | * 1924 Hans Flesch - **Zauberei auf dem Sender** - [[http:// | ||
+ | * 1929 Walter Ruttmann - **Weekend** - | ||
+ | * an acoustic picture of a Berlin weekend urban landscape [[https:// | ||
+ | * 1969 Richard Hey SWF - audience participation (through phonecalls) / choosing the path of development of the story told | ||
+ | * 1969 Alvin Lucier - **I'm sitting in a room** [[https:// | ||
+ | * 1980 peak-time of radio performance; | ||
+ | * 1996 Tina Casani & Bruno Beusch; they founded *Radio TNC* (1995). Interactive media fiction The Great Web Crash - 2 year lasting radio-play. | ||
+ | * Citation of **Gene Youngblood** at the end (which I haven' | ||
+ | * interesting note during discussion: participation was brought up again - Breitsamer misses " | ||
+ | |||
+ | === KORSAKOW - "The next level of Story === | ||
+ | **Florian Thalhofer** / [[http:// | ||
+ | * Korsakow is software application which allows users without programming expertise to create nonlinear, database-driven narratives | ||
+ | * Florian Thalhofer: current methods and formats we use to tell stories are way too rigid he speaks about: SNUS (smallest narrative units / which are the fundamental building blocks of a K-Film) & POCS (points of contact) which both central in his system | ||
+ | * seems highly film & online-film based | ||
+ | * collection of samples and snippets pre-produced / prepared can be assembled by the user / author through the software / database | ||
+ | * several [[http:// | ||
+ | |||
+ | |||
+ | === About KATE === | ||
+ | An experimental TV-series, produced by ARTE - [[http:// | ||
+ | * They called the series three-dimensional, | ||
+ | |||
+ | * they used lots of user generated content, which was integrated in single episodes (highly promoted through the producer, highly negatively criticized by the screenwriter - both on the panel). | ||
+ | |||
+ | === Emerging forms of narratives === | ||
+ | Hans Samuelson (Moment Factory), Leigh Sachwitz (flora& | ||
+ | * Especially [[http:// | ||
+ | * Only Alexis Anastasiou was a bit more " | ||