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--- future_fabulators:notes_from_bbb13 [2013-11-14 09:46] – tina.auer
+++ future_fabulators:notes_from_bbb13 [2014-03-05 05:31] (current) – nik
@@ Line 1: / Line 1: @@
 ==== Notes From BBB13 ====
-Biennale des Bewegte Bildes (or so) was a 4 day [[http://www.b3biennale.com/ |conference]] dealing with contemporary narrative with a concentration on moving images. Tina and Tim from Time's Up went there to see what we could learn, copy, steal, misinterpret and generally find useful. The following is a bit of a mess of notes from the event.
+**Biennale des Bewegten Bildes** was a 4 day [[http://www.b3biennale.com/ |conference]] dealing with contemporary narrative with a concentration on moving images. Tina and Tim from Time's Up went there to see what we could learn, copy, steal, misinterpret and generally find useful. The following is a bit of a mess of notes from the event.
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 === Expanded Radio / Expanded Narration ===
-Sabine Breitsamer - Professor of Sound and Media Culture in the Department of Media at Hochschule Darmstadt and is a co-founder of the Masters program "Sound Studies" at the Universität der Künste Berlin
+*Sabine Breitsamer - Professor of Sound and Media Culture in the Department of Media at Hochschule Darmstadt* and is a co-founder of the Masters program "Sound Studies" at the Universität der Künste Berlin
-  * she gave an historic overview of the development of radio play & radio dramas - which she defines as "extensions of narrative conventions" - presenting several of examples
+  * she gave an historic overview of the development of radio play & radio dramas - which she defines as "extensions of narrative conventions" - presenting several examples
-  * furthermore she has shown the development from mono-directional towards tow-way communication usage of radio
+  * furthermore she has shown examples representing the development from mono-directional radio towards tow-way communication usage
-Examples:
+**Examples**
-  * 1924 Hans Flesch - *Zauberei auf dem Sender* - [[http://www.mediaculture-online.de/fileadmin/mp3s/zauberei_sender.mp3 | german only stream]]
+  * 1924 Hans Flesch - **Zauberei auf dem Sender** - [[http://www.mediaculture-online.de/fileadmin/mp3s/zauberei_sender.mp3 | german only stream]]
-  * 1929 Walter Ruttmann - *Weekend* -
+  * 1929 Walter Ruttmann - **Weekend** -
      * an acoustic picture of a Berlin weekend urban landscape [[https://archive.org/details/Walter_Ruttmann_Weekend | Weekend - online stream]]
   * 1969 Richard Hey SWF - audience participation (through phonecalls) / choosing the path of development of the story told
-  * 1969 Alvin Lucier - *I'm sitting in a room* [[https://soundcloud.com/white-devil/alvin-lucier-i-am-sitting-in-a | Lucier-stream]]
+  * 1969 Alvin Lucier - **I'm sitting in a room** [[https://soundcloud.com/white-devil/alvin-lucier-i-am-sitting-in-a | Lucier-stream]]
   * 1980 peak-time of radio performance; Patti Smith, Laurie Anderson
   * 1996 Tina Casani & Bruno Beusch; they founded *Radio TNC* (1995). Interactive media fiction The Great Web Crash - 2 year lasting radio-play.
-  * Citation of *Gene Youngblood* at the end (which I haven't written down) - reference: Expanded Cinema - 1970: [[http://www.vasulka.org/Kitchen/PDF_ExpandedCinema/ExpandedCinema.html | Youngblood PDF online]]
+  * Citation of **Gene Youngblood** at the end (which I haven't written down) - reference: Expanded Cinema - 1970: [[http://www.vasulka.org/Kitchen/PDF_ExpandedCinema/ExpandedCinema.html | Youngblood PDF online]]
   * interesting note during discussion: participation was brought up again - Breitsamer misses "Rückzugsmöglichkeiten" (opportunity to withdraw), mentions participations shows a propensity towards totalitarism - sometimes it feels as if people are coerced to participate - only through participation we gain the the right to criticize.
+=== KORSAKOW - "The next level of Story ===
+**Florian Thalhofer** / [[http://korsakow.org/|Korsakow-Webpage]]
+   * Korsakow is software application which allows users without programming expertise to create nonlinear, database-driven narratives
+   * Florian Thalhofer: current methods and formats we use to tell stories are way too rigid he speaks about: SNUS (smallest narrative units / which are the fundamental building blocks of a K-Film) & POCS (points of contact) which both central in his system
+   * seems highly film & online-film based
+   * collection of samples and snippets pre-produced / prepared can be assembled by the user / author through the software / database
+   * several [[http://korsakow.org/vernissage/ | Korsakow films]] which where produced via this method can be found here
+=== About KATE ===
+An experimental TV-series, produced by ARTE - [[http://kate.arte.tv/fr | About Kate - episodes - french or german]]
+   * They called the series three-dimensional, because it was broadcasted on TV, had a Facebook-account, run by the main-character KATE, maintained by her 24h a day and had an app produced as well, which allowed an audience to interact with Kate in several episodes seemingly in realtime.
+   * they used lots of user generated content, which was integrated in single episodes (highly promoted through the producer, highly negatively criticized by the screenwriter - both on the panel).
+=== Emerging forms of narratives ===
+Hans Samuelson (Moment Factory), Leigh Sachwitz (flora&faunavisions), Alexis Anastasiou (visualfarm)
+   * Especially [[http://www.momentfactory.com/en | moment factory]] and [[http://www.florafaunavisions.de/ | flora&faunavisions]] was about spectacle, art & brands. great - as in super-high-tech-front-end-neverending-entertainment. Los Angeles airport, openings for all sort of world championships, promotion-events for big companies, etc.
+   * Only Alexis Anastasiou was a bit more "low-tech", at least when he started as one of the or _the_ "first VJ of Brazil". [[http://www.videoguerrilha.com.br/vgeng/ | videoguerrilha is one of the projects he founded]]