Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
inflatable_spaces [2008-01-23 14:03] – 62.166.51.71 | inflatable_spaces [2008-02-05 10:50] – 62.166.51.71 | ||
---|---|---|---|
Line 3: | Line 3: | ||
==== Inflatable Spaces ==== | ==== Inflatable Spaces ==== | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
Line 15: | Line 40: | ||
- | {{: | + | {{: |
Airground: Theo Botschuiver & Jeffrey Shaw, 1968\\ | Airground: Theo Botschuiver & Jeffrey Shaw, 1968\\ | ||
At the Brighton Festival a pyramid-shaped inflatable with a transparent outer skin and yellow inner skin, partially inflated cushion as | At the Brighton Festival a pyramid-shaped inflatable with a transparent outer skin and yellow inner skin, partially inflated cushion as | ||
Line 22: | Line 47: | ||
- | {{009_002.jpg|009_002.jpg}}\\Corpocinema 1967, Theo Botschuiver, | + | {{009_002.jpg?750}}\\Corpocinema 1967, Theo Botschuiver, |
The Corpocinema was an expanded cinema environment presented in a series of open-air performances in Rotterdam and Amsterdam in 1967. The work dematerialised the opaque flat projection surface of traditional cinema by creating instead a transparent three-dimensional volume within which the cinematic image could be reconstituted in an equivocal and immediate way. The specific physical and temporal qualities of the various actions and events performed to materialise the projected images also caused dramatic transformations and re-constructions of those images. | The Corpocinema was an expanded cinema environment presented in a series of open-air performances in Rotterdam and Amsterdam in 1967. The work dematerialised the opaque flat projection surface of traditional cinema by creating instead a transparent three-dimensional volume within which the cinematic image could be reconstituted in an equivocal and immediate way. The specific physical and temporal qualities of the various actions and events performed to materialise the projected images also caused dramatic transformations and re-constructions of those images. | ||
The basic structure was a large air-inflated transparent PVC dome onto which film and slides were projected from the outside. These projections were made visible by physical events and performed actions that created temporary conditionsthat materialised the projected imagery within and on the surface of the dome. For example, white polythene tubing was inflated until it filled the interior of the dome, thus creating a complex, growing surface on which the image appeared - then the dome was deflated over this tubing. Fire-extinguishing foam was sprayed over the entire inner surface of the dome, building up an opaque white projection surface - and as the foam dripped off the dome, the projected image disintegrated. Various other substances such as smoke, steam, water spray and confetti were used to fill the interior space of the dome and so constitute a volume of particles on which the projected images were attenuated.\\ | The basic structure was a large air-inflated transparent PVC dome onto which film and slides were projected from the outside. These projections were made visible by physical events and performed actions that created temporary conditionsthat materialised the projected imagery within and on the surface of the dome. For example, white polythene tubing was inflated until it filled the interior of the dome, thus creating a complex, growing surface on which the image appeared - then the dome was deflated over this tubing. Fire-extinguishing foam was sprayed over the entire inner surface of the dome, building up an opaque white projection surface - and as the foam dripped off the dome, the projected image disintegrated. Various other substances such as smoke, steam, water spray and confetti were used to fill the interior space of the dome and so constitute a volume of particles on which the projected images were attenuated.\\ | ||
Line 31: | Line 56: | ||
- | {{: | + | {{: |
Space Auditorium: Theo Botschuiver - Theater aan Zee, performance Cocky Eek: IJmuiden Thenetherlands, | Space Auditorium: Theo Botschuiver - Theater aan Zee, performance Cocky Eek: IJmuiden Thenetherlands, | ||
This inflatable space exists of two compartments divided by a malleable floor. The airpressure in the lowert department is higher then the one above. The floor, which is hold down by sandbags connected to robes, can hold up for about 80 people. An airhostess, suspended from the top of the dome, hovered above the heads of the audience. To exit the space one could make use of the inflatable emurgency slide. photo: Gerjo Reinkingh | This inflatable space exists of two compartments divided by a malleable floor. The airpressure in the lowert department is higher then the one above. The floor, which is hold down by sandbags connected to robes, can hold up for about 80 people. An airhostess, suspended from the top of the dome, hovered above the heads of the audience. To exit the space one could make use of the inflatable emurgency slide. photo: Gerjo Reinkingh | ||
Line 43: | Line 68: | ||
- | {{DSCN0206.jpg? | + | {{balloon33.jpg?500}}\\ |
- | {{balloon33.jpg?500}} | + | {{DSCN0206.jpg?400}}{{DSCN0201.jpg? |
- | {{DSCN0201.jpg? | + | Architects of Air, Alan Parkinson, Arcazaar, IJmuiden, NL, 2001 topview & interior\\ |
- | Architects of Air, Alan Parkinson, Arcazaar, IJmuiden, NL, 2001 topview & interior | + | \\ |
- | {{dome_with_mt._discovery_and_lenticular_clouds.jpg? | ||
- | Copywright antartica ballooning 2002 Seth White; | + | {{dome_with_mt._discovery_and_lenticular_clouds.jpg? |
+ | Copywright antartica ballooning 2002 Seth White; | ||
+ | \\ | ||
- | {{sanyovillarosa_2.jpg|sanyovillarosa_2.jpg}}\\ | ||
- | Villa Rosa: Coop Himmelblau, 1968\\ | ||
- | The large inflated sphere is a relaxation chamber andthe space leading into it can be transformed via the inflation and deflation of the surrounding balloons. | ||
- | {{11.GIF|11.GIF}} | + | |
- | {{47376.jpg|47376.jpg}} | + | |
- | {{fo_kusama_obsesja_kropek_l.jpg|fo_kusama_obsesja_kropek_l.jpg}}\\ | + | |
- | Yayoi Kusama: Dots Obsession\\ | + | {{11.GIF?350}}\\ |
+ | {{fo_kusama_obsesja_kropek_l.jpg|fo_kusama_obsesja_kropek_l.jpg}}{{:yayoi.jpg|}}\\ | ||
+ | Yayoi Kusama: Dots Obsession, 200, Courtey Studio Tokyo\\ | ||
source: www.yayoi-kusama.jp/ | source: www.yayoi-kusama.jp/ | ||
- | fo_kusama_obsesja_kropek_l.jpg: | ||
+ | \\ | ||
+ | \\ | ||
+ | \\ | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | {{: | ||
+ | -»Samstag Nachmittag, zuhause in Neukölln«: | ||
+ | Latex/ | ||
+ | Inflatable latex enclosures that transform banal and everyday environments and routines | ||
+ | -La Parole: Pablo Reinoso, 1998\\ | ||
+ | Spectators can introduced their heads into a suspend inflated volume. Inside speech is autonomous, separated from the body. It separates the viewers head from their bodies and focuses their attention on their mind.\\ | ||
{{Room5.jpg? | {{Room5.jpg? | ||
Line 76: | Line 114: | ||
For this piece, she made a rubber latex mould (a skin) of one of the rooms in her old apartment and then created an external support structure during a six-week artist residency at La Chambre Blanche, in Québec City, in order to inflate the entire piece. | For this piece, she made a rubber latex mould (a skin) of one of the rooms in her old apartment and then created an external support structure during a six-week artist residency at La Chambre Blanche, in Québec City, in order to inflate the entire piece. | ||
Originally presented in a large gallery space, the sculpture creates a two-fold viewing situation for the visitor, who can look at the exterior structure of "the room within a room," as well as enter the structure and experience the whimsical and unsettling space inside. 2e picture detail of the ceiling.\\ | Originally presented in a large gallery space, the sculpture creates a two-fold viewing situation for the visitor, who can look at the exterior structure of "the room within a room," as well as enter the structure and experience the whimsical and unsettling space inside. 2e picture detail of the ceiling.\\ | ||
- | source: www.rewana.com | + | source: www.rewana.com\\ |
+ | \\ | ||
- | + | {{white_space_peter_.jpg? | |
- | {{: | + | |
- | »Samstag Nachmittag, zuhause in Neukölln«: | + | |
- | Latex/ | + | |
- | + | ||
- | + | ||
- | {{06.jpg? | + | |
{{wdw.jpg|wdw.jpg}}\\ | {{wdw.jpg|wdw.jpg}}\\ | ||
Space 02: Cocky Eek 2006 | Space 02: Cocky Eek 2006 | ||
- | Foam Lab, Witte de With festival Rotterdam, 2006 | + | Foam Lab, Witte de With festival Rotterdam, 2006\\ |
- | + | \\ | |
- | + | \\ | |
- | {{magna.jpg? | + | |
- | {{Magna_img_2.jpg? | + | |
- | {{289.jpg|289.jpg}} | + | |
- | {{26lrg_1.jpg? | + | |
- | Magna Science Adventure Centre, Copyright © 2001-2005 ITEK-USA, Inc. itek-usa.com/ | + | |
- | + | ||
- | The Education Centre/ | + | |
+ | {{sanyovillarosa_2.jpg|sanyovillarosa_2.jpg}}\\ | ||
+ | Villa Rosa: Coop Himmelblau, 1968\\ | ||
+ | The large inflated sphere is a relaxation chamber andthe space leading into it can be transformed via the inflation and deflation of the surrounding balloons.\\ | ||
+ | \\ | ||
+ | {{magna.jpg? | ||
+ | {{Magna_img_2.jpg? | ||
+ | Magna Science Adventure Centre, Copyright © 2001-2005 ITEK-USA, Inc. itek-usa.com/ | ||
+ | The Education Centre/ | ||
+ | \\ | ||
+ | {{289.jpg|289.jpg}} | ||
+ | {{26lrg_1.jpg? | ||
Cloud: Monica Forster, inflatable room designed c.1995, Swedish, nylon, electric inflation | Cloud: Monica Forster, inflatable room designed c.1995, Swedish, nylon, electric inflation | ||
Line 107: | Line 144: | ||
{{index.jpg|index.jpg}} | {{index.jpg|index.jpg}} | ||
- | {{DSC05229.jpg|DSC05229.jpg}} | + | {{DSC05229.jpg?450}}\\ |
+ | Alexis Rochas: The AEROMADS project outlines an architectural system that combines air pressure and high-strength intelligent fabrics as a tectonic solution for the creation of minimal mass, self-sustaining structures. Unplugged and detached from source networks, AEROMADS is a discreet architectural unit that utilizes air pressure as a tectonic resource and building material, and sets out to explore the nomadic applications of groundless architectonics. | ||
+ | The exterior is sheathed in nylon rib-coated with aluminized Mylar to reflect light and provide thermal insulation. For energy needs, the Aeromads has embedded photovoltaic, | ||
+ | \\ | ||
- | Alexis Rochas: The AEROMADS project outlines an architectural system that combines air pressure and high-strength intelligent fabrics as a tectonic solution for the creation of minimal mass, self-sustaining structures. Unplugged and detached from source networks, AEROMADS is a discreet architectural unit that utilizes air pressure as a tectonic resource and building material, and sets out to explore the nomadic applications of groundless architectonics. | ||
- | The exterior is sheathed in nylon rib-coated with aluminized Mylar to reflect light and provide thermal insulation. For energy needs, the Aeromads has embedded photovoltaic, | ||
+ | **more inflatable image sections:** | ||
+ | [[Experience Inflatables]], | ||
+ | [[Powered by Wind]], | ||
+ | [[Parasite Inflatables]], | ||
+ | [[Soap Experiences]], | ||
+ | [[When Nature Inflates]], | ||
+ | [[Environmental Blendings]], | ||
+ | [[Hardened Bubbles]], | ||
+ | [[Inflatable Sound]], | ||
+ | [[Interactive Inflatables]], | ||
+ | [[Inflatable Wearables]], | ||
+ | [[The Non Categorized Inflatables]], | ||
+ | [[Lighter than Air]], | ||
+ | [[NASA Inflatables]], | ||
+ | **or go back to:** [[Cocky Eek]] | ||
- | ---- | ||
- | Libarynth > Libarynth Web > CockyEek > InflatableWearables | ||
- | r16 - 27 Apr 2007 - 11:13 | ||
- | ----{{: |