Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| machine_wilderness_symposium [2015-11-03 09:22] – maja | machine_wilderness_symposium [2026-01-16 07:06] (current) – nik | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| ==== Machine Wilderness Symposium ==== | ==== Machine Wilderness Symposium ==== | ||
| - | Amsterdam, Artis, 20151102 | + | Amsterdam, Artis Royal Zoo, 20151102 |
| - | (notes) | ||
| - | Machine Wilderness: | + | {{: |
| + | |||
| + | [[machine_wilderness]] | ||
| + | |||
| + | [[Lecture notes]] from the [[http:// | ||
| [[https:// | [[https:// | ||
| Line 37: | Line 40: | ||
| Designing towards cohabitation & intimacy | Designing towards cohabitation & intimacy | ||
| - | {{> | + | {{> |
| Line 48: | Line 51: | ||
| * e.g. exhibition of microbes & micro-organisms | * e.g. exhibition of microbes & micro-organisms | ||
| - | * Het [[http:// | + | * Het [[http:// |
| * E. Wilson "the artificial new environment into which technology has catapulted humanity" | * E. Wilson "the artificial new environment into which technology has catapulted humanity" | ||
| * wilderness = 1st nature, cultural landscape (agriculture) - 2nd nature, designed nature (gardens, urban environments) - 3rd nature | * wilderness = 1st nature, cultural landscape (agriculture) - 2nd nature, designed nature (gardens, urban environments) - 3rd nature | ||
| Line 54: | Line 57: | ||
| * we need a new language to describe interactions between machines and environments | * we need a new language to describe interactions between machines and environments | ||
| * the etymology of the word machine = " | * the etymology of the word machine = " | ||
| - | * " | + | * " |
| * city as metabolism - a new relationship between town and landscape - hybrid landscapes - deserted industrial locations, landfill reclamation… | * city as metabolism - a new relationship between town and landscape - hybrid landscapes - deserted industrial locations, landfill reclamation… | ||
| * avoid confusions with pre-modern and mechanistic views | * avoid confusions with pre-modern and mechanistic views | ||
| * finding a way to talk about hybrids, co-operation between technology and nature - a common vitality in reclaiming aesthetics as a process and not an object in the tangle of tech and nature - including philosophy, ethics, morals - responsibility of human nature towards non human nature | * finding a way to talk about hybrids, co-operation between technology and nature - a common vitality in reclaiming aesthetics as a process and not an object in the tangle of tech and nature - including philosophy, ethics, morals - responsibility of human nature towards non human nature | ||
| + | |||
| + | < | ||
| === Petran Kockelkoren === | === Petran Kockelkoren === | ||
| Line 79: | Line 84: | ||
| * Futurist Giacomo Balla - attempting to change perspective and coin new imaginaries for speed - we needed to re-normalise our senses - images and sounds help us cope with the new experiences… | * Futurist Giacomo Balla - attempting to change perspective and coin new imaginaries for speed - we needed to re-normalise our senses - images and sounds help us cope with the new experiences… | ||
| - | < | + | |
| + | {{: | ||
| * pop-art - streaks in comics - speeding cars | * pop-art - streaks in comics - speeding cars | ||
| Line 107: | Line 114: | ||
| * " | * " | ||
| - | < | + | |
| + | {{:cszvwniwsae7vmj.jpg}} | ||
| === Xavier San Giorgi === | === Xavier San Giorgi === | ||
| Line 126: | Line 134: | ||
| * How do you design a food forest for a city scape? In recreation areas, plants that aren’t commercially viable, that are difficult to harvest industrially | * How do you design a food forest for a city scape? In recreation areas, plants that aren’t commercially viable, that are difficult to harvest industrially | ||
| * [[http:// | * [[http:// | ||
| + | |||
| + | |||
| + | {{: | ||
| + | |||
| Tech requirements: | Tech requirements: | ||
| Line 157: | Line 169: | ||
| * Karim van Wonderen + Sophia Molpheta "De Zeeuwse Tong Project" | * Karim van Wonderen + Sophia Molpheta "De Zeeuwse Tong Project" | ||
| - | < | ||
| - | === Spela Petric === | + | {{: |
| - | Reified Nature / Natured Technology | ||
| - | in projects | + | === Špela Petrič === |
| + | |||
| + | [[http:// | ||
| + | |||
| + | ... in projects | ||
| Naval Gazing (is navel gazing) | Naval Gazing (is navel gazing) | ||
| Line 175: | Line 189: | ||
| * Inspirations: | * Inspirations: | ||
| * Habiton - Man-made future habitat moved by the wind - it tumbles through the ocean and collects organisms/ | * Habiton - Man-made future habitat moved by the wind - it tumbles through the ocean and collects organisms/ | ||
| + | |||
| + | |||
| + | {{> | ||
| + | |||
| Miserable Machines | Miserable Machines | ||
| - | * Differences between technology and living organisms | + | * Differences between technology and living organisms |
| * " | * " | ||
| * Hybridity is a slippery slope - sometimes things should be respected for what they are rather than being forced to ' | * Hybridity is a slippery slope - sometimes things should be respected for what they are rather than being forced to ' | ||
| Line 187: | Line 205: | ||
| - | {{> | + | {{> |
| === Guszti Eiben === | === Guszti Eiben === | ||
| Line 219: | Line 238: | ||
| * application: | * application: | ||
| * science: " | * science: " | ||
| + | |||
| + | In Nature: [[http:// | ||
| Line 228: | Line 249: | ||
| * workshop on symbiotic systems, using Amstelpark as a medium, exploring the needs and opportunities of biorobotic systems (abiotic systems - solar, temp, wind, water + biotic systems (plants, animals, bacteria); creating systems to enter a dialogue with the environment - integrated interdependent systems | * workshop on symbiotic systems, using Amstelpark as a medium, exploring the needs and opportunities of biorobotic systems (abiotic systems - solar, temp, wind, water + biotic systems (plants, animals, bacteria); creating systems to enter a dialogue with the environment - integrated interdependent systems | ||
| * energy systems | * energy systems | ||
| + | |||
| + | < | ||
| === Judith van der Elst === | === Judith van der Elst === | ||
| Line 286: | Line 309: | ||
| * [[http:// | * [[http:// | ||
| - | {{> | + | {{> |
| + | === References === | ||
| + | * Research is Ceremony, Indigenous Research Methods, by Shawn Wilson | ||
| + | * Tending the Wild, Native american Knowledge and The Management of California' | ||
| + | * Wired Wilderness, Technologies of Tracking and the Making of Modern Wildlife, by Etienne Benson | ||
| + | * Wildlife in the Anthropocene, | ||
| + | * Alien Phenomenology, | ||
| + | * Nature Performed, Environemt, Culture and Performance, | ||
| + | * How Things Shape The Mind, A Theory of Material Engagement, Lambros Malafouris | ||
| + | * How Forests Think, Towards an Anthropology beyond the Human, by Eduardo Kohn | ||
| + | * Media, Ecology and Conservation, | ||
| + | * The Marvelous Clouds, Towards a Philosophy of Elemental Media, by John Durham Peters | ||
| + | * Becoming Animal, An Earthly Cosmology, by David Abram | ||
| + | * CowCam, Kuhe fotografieren ihre Welt, by Christoph Sigrist | ||
| + | * Drone, by Adam Rothstein, part of the Object Lessons series | ||
| + | * Wilder Mann, the image of the savage, by Charles Freger | ||
| + | * The Sympathy of Things, Ruskin and the Ecology of Design, by Lars Spuybroek | ||
| + | * Propeller, by Roy Villevoy and Jan Dietvorst | ||
| + | * A Fieldguide to Next Doggerland, by Theun Karelse | ||