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resilients:debrouillardise_et_coquetterie [2012-05-28 18:12] 109.129.75.193resilients:debrouillardise_et_coquetterie [2012-05-29 14:56] 109.129.75.193
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-- **History**, in a Microhistory approach (‘search for large answers in small places’), also Altagsgeschichte (history from ‘below’)+- **History**, according to a Microhistory approach (‘search for large answers in small places’), also Altagsgeschichte (history from ‘below’)
  
 http://en.wikipedia.org/wiki/Microhistory http://en.wikipedia.org/wiki/Microhistory
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 http://www.osea-cite.org/history/exp_ethnography.php http://www.osea-cite.org/history/exp_ethnography.php
  
-- Experimental ethnography locates the value of the anthropological intervention, however, not in the teleology of the objectified results (e.g., social change, policy/political action, or cultural revitalization), but in the process and, thus, valorizes the actual dynamics of fieldwork as the primary locus where the “real-world” relevance and significance are to be measured, evaluated, and appreciated. »+- Experimental Ethnography locates the value of the anthropological intervention, however, not in the teleology of the objectified results (e.g., social change, policy/political action, or cultural revitalization), but in the process and, thus, valorizes the actual dynamics of fieldwork as the primary locus where the “real-world” relevance and significance are to be measured, evaluated, and appreciated. »
  
 -Fieldwork practices are being “recombined” to explore their utility in the recirculation of given knowledge in a relevant manner by the very activity of the exploratory bricolage. -Fieldwork practices are being “recombined” to explore their utility in the recirculation of given knowledge in a relevant manner by the very activity of the exploratory bricolage.
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 -Bricolage of fieldwork in which concepts, methods, techniques from various fields of art (scenography, museumography, art installation, performance arts) are recombined with the inherited methodologies of anthropology. -Bricolage of fieldwork in which concepts, methods, techniques from various fields of art (scenography, museumography, art installation, performance arts) are recombined with the inherited methodologies of anthropology.
 ** **
-°Anthropology of tranmission  / Generational Anthropology**+°Anthropology of Transmission  / Generational Anthropology**
  
 Transmission is a topic of crucial importance for anthropologists. However few are the studies which make transmission their focal point, a subject for and in itself. In this paper I show how cases of transmission haunt the very foundations of our discipline and how they lie at the back of such notions as memory, re-invention and continuity. I conclude by asking how we can study ethnographically the fleeting reality that is the act of transmission. David Berliner – Anthropologie des Mondes Contemporains. Transmission is a topic of crucial importance for anthropologists. However few are the studies which make transmission their focal point, a subject for and in itself. In this paper I show how cases of transmission haunt the very foundations of our discipline and how they lie at the back of such notions as memory, re-invention and continuity. I conclude by asking how we can study ethnographically the fleeting reality that is the act of transmission. David Berliner – Anthropologie des Mondes Contemporains.
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 ** **
-° Anthropology of cloth+° Anthropology of cloth / Costume History
 ** **
  
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 Out of my desire to collect stories from the past as precious fabrics…. Out of my desire to collect stories from the past as precious fabrics….
  
-The most important thing that my journey through textile conservation brought me is a deepening of the understanding of the ethical dimension of my practice, throughout the whole process of the fieldwork (from the encounter to the collecting of the story - of the constitution of a living archive of stories - to the transmission of the past story and their transformation by younger generations)   +The most important thing that my journey through textile conservation brought me is a deepening of the understanding of the ethical dimension of my practice, throughout the whole process of the fieldwork (from the encounter to the collecting of the story - of the constitution of a living archive of stories - to the transmission of the past story and their transformation by younger generations)
  
  
-                    Some Notes on my personal methodological approach:+METHODOLOGY / EXPERIENTIAL PART : (in construction) 
 + 
 +- Phenomenology of the encounter (cf fieldwork) 
 + 
 +- Assessment of the relational complexity induced by the dynamics of the gift/countergift. (cf fieldwork, the giving/receiving of the stories from the past) 
 + 
 +- Design spaces/conditions/games to foster creative engagements with the Past, as part of a Living History, (through artisanal textile workshops for older and younger generations, re enacting and reinterpreting DIY text practices from WWII)  -- intergenerational dramaturgies 
 + 
 + 
 + 
 +                    [[Some Notes on my personal methodological approach:]]
                                          
  
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 - how to make a ‘behandelingsrapport’ : identification form of the textile piece, description (from technique to art history background) // condition report every action that is executed on the piece of textile has to be thoroughly documented (through pictures, calques, draing, samples, formulas…) cf. ‘dagboek der werkzaamheden’ - how to make a ‘behandelingsrapport’ : identification form of the textile piece, description (from technique to art history background) // condition report every action that is executed on the piece of textile has to be thoroughly documented (through pictures, calques, draing, samples, formulas…) cf. ‘dagboek der werkzaamheden’
 +
  
 - to make a support fabric and a protection fabric, to learn the most important sewing techniques in this regard - to make a support fabric and a protection fabric, to learn the most important sewing techniques in this regard
 +
  
 Bibliography : Bibliography :
  
 « Textile Conservation: Advances in Practice », ed. By Frances Lennard and Patricia Ewer, 2010  « Textile Conservation: Advances in Practice », ed. By Frances Lennard and Patricia Ewer, 2010 
 +
  
 « Textile conservation and research: a documentation of the textile department on the occasion of the twentieth anniversary of the Abegg Foundation », by Flury-Lemberg, Mechthild, 1988 « Textile conservation and research: a documentation of the textile department on the occasion of the twentieth anniversary of the Abegg Foundation », by Flury-Lemberg, Mechthild, 1988
 +
  
 « The textile conservator's manual » by Landi Sheila, Butterworths series in conservation and museology, 1985 « The textile conservator's manual » by Landi Sheila, Butterworths series in conservation and museology, 1985
  
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  • resilients/debrouillardise_et_coquetterie.txt
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