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resilients:debrouillardise_et_coquetterie [2012-06-03 19:48] – 109.129.58.244 | resilients:debrouillardise_et_coquetterie [2012-06-03 20:46] – 109.129.58.244 | ||
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- | METHODOLOGY / EXPERIENTIAL PART : (in construction) | + | **METHODOLOGY / EXPERIENTIAL PART** : (in construction) |
- Phenomenology of the encounter (cf fieldwork) | - Phenomenology of the encounter (cf fieldwork) | ||
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- | 1. DOCUMENTING the research topic | + | 1. **DOCUMENTING** the research topic |
Fields of interests : | Fields of interests : | ||
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1.1. consultation of specialized literature, articles and archives | 1.1. consultation of specialized literature, articles and archives | ||
+ | |||
+ | [[contacted archive centers for resilient WWII textiles|contacted archive centers for resilient WWII textiles]] | ||
1.2. consultation of experts: | 1.2. consultation of experts: | ||
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Cette recherche analyse le travail des femmes dans l' | Cette recherche analyse le travail des femmes dans l' | ||
+ | [[Sidenotes historical readings WII - Tex - Resilience|Sidenotes historical readings WII - Tex - Resilience]] | ||
- | side note 1 on 1.1 | + | [[Communities of Resilients // from the perspective of Clothing as a resistance strategy|Communities of Resilients // from the perspective of Clothing as a resistance strategy]] |
- | contacted Documentation Centers in Brussels | ||
- | - Algemeen Rijksarchief: | + | **FIELDWORK** |
- | -Archief en Museum voor het Vlaamse Leven in Brussel | + | Senior centers interested |
+ | -Résidence Arcadia | ||
+ | -LDC Randstad (social restaurant for Seniors, Molenbeek) | ||
+ | -the Institut Pachéco | ||
+ | -‘Ages et Transmissions’: | ||
+ | -‘La Mémoire Vivante’ : http:// | ||
- | - Brussels Museum voor Arbeid en Industrie ‘La Fonderie’ | ||
- | mainly about the end of the 19th, beginning of the XXth century. There would be a gap in documentation of the second world war period, they start to have a good documentation from the fifties on. Maybe they have info on the industrial inventories. | ||
- | My research questions | + | The first interviews: |
+ | -[[Interview Débrouillardise et Coquetterie: | ||
+ | -[[Interview Débrouillardise et Coquetterie: | ||
+ | -[[Interview Débrouillardise et Coquetterie: | ||
- | -CINEMATEK | ||
- | access@cinematek.be | ||
- | Filmmaterial will be accessible, there are pictures but they are not filed at all so it will be quasy impossible to consult them | + | Observations / |
+ | (in process) | ||
- | Of interest | + | 4.CASE STUDIES |
+ | (in construction) | ||
- | Interesting reading : « Henri Storck, le cinéma belge et l' | ||
- | -MJB Musée Juif de Belgique | + | TOWARD A LIVING ARCHIVE |
+ | Search for critical/ | ||
- | -Koninklijk Museum van het Leger en de Krijgsgeschiedenis | + | Philosophy |
- | information about the requisitioning of the materials from the army, and more important : how textiles from the army was on its turn used, transformed or costumized for DIY casual clothing. Does the museum has a collection of parachutes from the english? | + | |
- | -Musée National de la Résistance | + | Michel Foucault « The Archeology |
- | interesting material : double pockets that were sewen to transport weapons. | + | |
- | The museum does not have examples | + | |
- | -CEGESOMA, | + | Discursive practices involve systems that allow statements to emerge as ' |
- | does have a research center for WW II | + | |
- | http:// | + | |
- | [[Sidenotes historical readings WII - Tex - Resilience|Sidenotes historical readings WII - Tex - Resilience]] | + | Paul Ricoeur « Arcives, Documents, Traces » |
+ | http:// | ||
+ | |||
+ | “Any trace left by the past becomes a document for historians […], the most valuable traces are the ones that were not intended for our information.” (2006: 67) | ||
+ | |||
+ | Giorgio Agamben « The Archive and the Testimony » in « Remnants of Auschwit », 1989 | ||
+ | http:// | ||
+ | “the archive is situated between langue, as the system of construction of possible sentences – that is, of possibilities of speaking – and the corpus that unites the set of what has been said, the things actually uttered or written.” | ||
+ | |||
+ | |||
+ | |||
+ | Archive Practices in Contemporary Art | ||
+ | |||
+ | General writings : | ||
+ | |||
+ | Schaffner, Ingrid et Matthias Winzen (éditeurs). 1998. Deep storage: collecting, storing, and archiving in art. Munich ; New York : Prestel, 303 p. | ||
+ | Mokhtari Sylvie (éditeur). 2004. Les Artistes contemporains et l' | ||
+ | |||
+ | Dans Archive Fever Enwezor | ||
+ | principale de vérité historique » | ||
+ | Aby M. Warburg, «Mnemosyne-Atlas», | ||
+ | http:// | ||
+ | |||
+ | Gerhard Richter, « Atlas », 1962 | ||
+ | http:// | ||
- | [[Communities of Resilients // from the perspective of Clothing as a resistance strategy|Communities of Resilients // from the perspective of Clothing as a resistance strategy]] | ||