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resilients:debrouillardise_et_coquetterie [2012-06-03 19:48] – 109.129.58.244 | resilients:debrouillardise_et_coquetterie [2013-02-08 07:52] (current) – nik | ||
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==== Débrouillardise et Coquetterie ==== | ==== Débrouillardise et Coquetterie ==== | ||
- | notes from a [[: | + | notes from a [[: |
- | Coralie Stalberg, April - May 2012 | + | ===PRESENTATION=== |
- | + | ||
- | + | ||
- | **PRESENTATION** | + | |
**“Débrouillardise et Coquetterie”** is a project on DIY textile practices and associated recycling strategies during a historical period characterized by a radical scarcity of material resources — the Second World War and the years right after the war. In the context of research for a resilient future that would be more sensitive and committed to sustainability, | **“Débrouillardise et Coquetterie”** is a project on DIY textile practices and associated recycling strategies during a historical period characterized by a radical scarcity of material resources — the Second World War and the years right after the war. In the context of research for a resilient future that would be more sensitive and committed to sustainability, | ||
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- | ** | + | ===METHODOLOGY / THEORETICAL=== |
- | METHODOLOGY / THEORETICAL | + | at the crossroad of History, Ethnography and Textile Conservation. |
- | - **History**, | + | **History**, |
- | http:// | + | * http:// |
- | http:// | + | |
- | http:// | + | |
An inspiring text from Dominique Veillon : http:// | An inspiring text from Dominique Veillon : http:// | ||
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http:// | http:// | ||
- | ** | + | **Anthropology of cloth / Costume History** |
- | ° Anthropology of cloth / Costume History | + | |
- | ** | + | |
« Pour une anthropologie du vêtement » Yves Delaporte, CNRS/Musée de l’Homme | « Pour une anthropologie du vêtement » Yves Delaporte, CNRS/Musée de l’Homme | ||
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- | METHODOLOGY | + | ===Methodology |
- | - Phenomenology of the encounter (cf fieldwork) | + | * Phenomenology of the encounter (cf fieldwork) |
+ | * Assessment of the relational complexity induced by the dynamics of the gift/ | ||
+ | * Design spaces/ | ||
- | - Assessment of the relational complexity induced by the dynamics of the gift/ | ||
- | - Design spaces/ | + | [[Some Notes on my way of hybridizing ethnography |
+ | ====Process==== | ||
- | [[Some Notes : on my way of hybridizing ethnography with the ethics of textile conservation|Some Notes : on my way of hybridizing ethnography with the ethics of textile conservation]] | ||
- | PROCESS | + | ===DOCUMENTING the research topic=== |
- | + | ||
- | + | ||
- | 1. DOCUMENTING the research topic | + | |
Fields of interests : | Fields of interests : | ||
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dignity – history of the bodies that is sensitive to a memory of emotions and affect (from proudness to shame, the hiding of precariousness) – costume as overstatement/ | dignity – history of the bodies that is sensitive to a memory of emotions and affect (from proudness to shame, the hiding of precariousness) – costume as overstatement/ | ||
- | ** | + | ===Resilience=== |
- | Resilience** | + | |
Moral, social and cultural resilience | Moral, social and cultural resilience | ||
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1.1. consultation of specialized literature, articles and archives | 1.1. consultation of specialized literature, articles and archives | ||
+ | |||
+ | [[contacted archive centers for resilient WWII textiles|contacted archive centers for resilient WWII textiles]] | ||
1.2. consultation of experts: | 1.2. consultation of experts: | ||
**Irène Guenther** | **Irène Guenther** | ||
+ | |||
– Specialist in modern German cultural and gender history | – Specialist in modern German cultural and gender history | ||
http:// | http:// | ||
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**Jonathan Walford** | **Jonathan Walford** | ||
+ | |||
Founder and Curatorial Director of Fashion History Museum of Canada, Writer | Founder and Curatorial Director of Fashion History Museum of Canada, Writer | ||
http:// | http:// | ||
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Cette recherche analyse le travail des femmes dans l' | Cette recherche analyse le travail des femmes dans l' | ||
+ | [[Sidenotes historical readings WII - Tex - Resilience|Sidenotes historical readings WII - Tex - Resilience]] | ||
- | side note 1 on 1.1 | + | [[Communities of Resilients // from the perspective of Clothing as a resistance strategy|Communities of Resilients // from the perspective of Clothing as a resistance strategy]] |
- | contacted Documentation Centers in Brussels | ||
- | - Algemeen Rijksarchief: | + | ===FIELDWORK=== |
- | -Archief en Museum voor het Vlaamse Leven in Brussel | + | Senior centers interested |
+ | - Résidence Arcadia | ||
+ | - LDC Randstad (social restaurant for Seniors, Molenbeek) | ||
+ | - the Institut Pachéco | ||
+ | - ‘Ages et Transmissions’: | ||
+ | - ‘La Mémoire Vivante’ : http:// | ||
- | - Brussels Museum voor Arbeid en Industrie ‘La Fonderie’ | ||
- | mainly about the end of the 19th, beginning of the XXth century. There would be a gap in documentation of the second world war period, they start to have a good documentation from the fifties on. Maybe they have info on the industrial inventories. | ||
- | My research questions | + | The first interviews: |
+ | * [[interview therese from uccle|Thérèse from Uccle]] | ||
+ | * [[interview jeanne | ||
+ | * [[interview jeanne van molenbeek|Jeanne van Molenbeek]] | ||
- | -CINEMATEK | ||
- | access@cinematek.be | ||
- | Filmmaterial will be accessible, there are pictures but they are not filed at all so it will be quasy impossible to consult them | + | Observations / |
+ | (in process) | ||
- | Of interest | + | ====4.CASE STUDIES |
+ | (in construction) | ||
- | Interesting reading : « Henri Storck, le cinéma belge et l' | ||
- | -MJB Musée Juif de Belgique | + | ====5. TOWARD A LIVING ARCHIVE==== |
- | -Koninklijk Museum van het Leger en de Krijgsgeschiedenis | + | Search |
- | information about the requisitioning of the materials from the army, and more important : how textiles from the army was on its turn used, transformed or costumized | + | |
- | -Musée National de la Résistance | + | Philosophy |
- | interesting material : double pockets that were sewen to transport weapons. | + | |
- | The museum does not have examples of it, but can try to put me in contact with people then involved in Resistance who did such a textile practices. | + | |
- | -CEGESOMA, | + | Michel Foucault « The Archeology of Knowledge » : Chapter 5: The Historical a priori and the Archive |
- | does have a research center for WW II | + | |
- | http:// | + | |
- | [[Sidenotes historical readings WII - Tex - Resilience|Sidenotes historical readings WII - Tex - Resilience]] | + | Discursive practices involve systems that allow statements to emerge as ' |
+ | |||
+ | Paul Ricoeur « Arcives, Documents, Traces » | ||
+ | http:// | ||
+ | |||
+ | “Any trace left by the past becomes a document for historians | ||
+ | |||
+ | Giorgio Agamben « The Archive and the Testimony » in « Remnants of Auschwit », 1989 | ||
+ | http:// | ||
+ | “the archive is situated between langue, as the system of construction of possible sentences – that is, of possibilities of speaking – and the corpus that unites the set of what has been said, the things actually uttered or written.” | ||
+ | |||
+ | |||
+ | |||
+ | Archive Practices in Contemporary Art | ||
+ | |||
+ | General writings : | ||
+ | |||
+ | Schaffner, Ingrid et Matthias Winzen (éditeurs). 1998. Deep storage: collecting, storing, and archiving in art. Munich ; New York : Prestel, 303 p. | ||
+ | Mokhtari Sylvie (éditeur). 2004. Les Artistes contemporains et l' | ||
+ | |||
+ | Dans Archive Fever Enwezor | ||
+ | |||
+ | Aby M. Warburg, «Mnemosyne-Atlas», | ||
+ | http:// | ||
+ | |||
+ | Gerhard Richter, « Atlas », 1962 | ||
+ | http:// | ||
+ | |||
+ | |||
+ | ==== Interviews ==== | ||
+ | * [[interview jeanne and jacoba from pacheco]] | ||
+ | * [[interview jeanne van molenbeek]] | ||
+ | * [[interview therese from uccle]] | ||
+ | |||
+ | ==== Notes on methodology==== | ||
+ | * [[some_notes_on_my_personal_methodological_approach]] | ||
+ | * [[some_notes_on_my_way_of_hybridizing_ethnography_with_the_ethics_of_textile_conservation]] | ||
+ | |||
+ | ---- | ||
- | [[Communities of Resilients // from the perspective of Clothing as a resistance strategy|Communities of Resilients // from the perspective of Clothing as a resistance strategy]] | ||