Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision | ||
resilients:debrouillardise_et_coquetterie [2013-02-08 07:41] – nik | resilients:debrouillardise_et_coquetterie [2013-02-08 07:52] (current) – nik | ||
---|---|---|---|
Line 2: | Line 2: | ||
notes from a [[: | notes from a [[: | ||
- | |||
- | ===related nodes/notes and interviews=== | ||
- | * [[some_notes_on_my_personal_methodological_approach]] | ||
- | * [[some_notes_on_my_way_of_hybridizing_ethnography_with_the_ethics_of_textile_conservation]] | ||
- | * [[interview_jeanne_and_jacoba_from_pacheco]] | ||
- | * [[interview_jeanne_van_molenbeek]] | ||
- | * [[interview_therese_from_uccle]] | ||
===PRESENTATION=== | ===PRESENTATION=== | ||
Line 65: | Line 58: | ||
- | ===METHODOLOGY | + | ===Methodology |
- | | + | |
- | | + | |
- | | + | |
- | [[Some Notes : on my way of hybridizing ethnography with the ethics of textile conservation|Some Notes : on my way of hybridizing ethnography with the ethics of textile conservation]] | + | [[Some Notes on my way of hybridizing ethnography with the ethics of textile conservation]] |
- | ===PROCESS=== | + | ====Process==== |
- | 1. **DOCUMENTING** the research topic | + | ===DOCUMENTING the research topic=== |
Fields of interests : | Fields of interests : | ||
Line 95: | Line 88: | ||
dignity – history of the bodies that is sensitive to a memory of emotions and affect (from proudness to shame, the hiding of precariousness) – costume as overstatement/ | dignity – history of the bodies that is sensitive to a memory of emotions and affect (from proudness to shame, the hiding of precariousness) – costume as overstatement/ | ||
- | ** | + | ===Resilience=== |
- | Resilience** | + | |
Moral, social and cultural resilience | Moral, social and cultural resilience | ||
Line 122: | Line 114: | ||
**Jonathan Walford** | **Jonathan Walford** | ||
+ | |||
Founder and Curatorial Director of Fashion History Museum of Canada, Writer | Founder and Curatorial Director of Fashion History Museum of Canada, Writer | ||
http:// | http:// | ||
Line 147: | Line 140: | ||
- | ===FIELDWORK--- | + | ===FIELDWORK=== |
Senior centers interested in participation : | Senior centers interested in participation : | ||
Line 158: | Line 151: | ||
The first interviews: | The first interviews: | ||
- | | + | |
- | | + | |
- | | + | |
Line 166: | Line 159: | ||
(in process) | (in process) | ||
- | **4.CASE STUDIES :: intergenerational workshops** | + | ====4.CASE STUDIES :: intergenerational workshops==== |
(in construction) | (in construction) | ||
- | **5. TOWARD A LIVING ARCHIVE** | + | ====5. TOWARD A LIVING ARCHIVE==== |
Search for critical/ | Search for critical/ | ||
Line 204: | Line 198: | ||
Gerhard Richter, « Atlas », 1962 | Gerhard Richter, « Atlas », 1962 | ||
http:// | http:// | ||
+ | |||
+ | |||
+ | ==== Interviews ==== | ||
+ | * [[interview jeanne and jacoba from pacheco]] | ||
+ | * [[interview jeanne van molenbeek]] | ||
+ | * [[interview therese from uccle]] | ||
+ | |||
+ | ==== Notes on methodology==== | ||
+ | * [[some_notes_on_my_personal_methodological_approach]] | ||
+ | * [[some_notes_on_my_way_of_hybridizing_ethnography_with_the_ethics_of_textile_conservation]] | ||
+ | |||
+ | ---- | ||