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--- resilients:unmanned_aerial_ecologies [2013-05-15 07:33] – 83.101.5.51
+++ resilients:unmanned_aerial_ecologies [2013-09-23 12:49] (current) – 141.138.49.19
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 By Honor Harger, April 2013
+On Tuesday 16 April 2013, I gave a talk in Brussels at the seminar, //[[http://thedigitalnow.be/?page_id=178|Look Up in the Sky!]]//, which was organised by Cimatics as part of their [[http://thedigitalnow.be/?page_id=7|Digital Now]] programme to coincide with the Brussels Art Fair. Michel van Dartel moderated, Bram Crevits introduced the exhibition he curated for the programme, and [[http://booktwo.org/|James Bridle]] gave an excellent talk on drones called ‘A Quiet Disposition’, which he’ll be [[http://is.gd/jamestalk|reprising at Lighthouse]] in Brighton, on 9 May 2013.
+My talk followed on from [[http://decelerator.blogspot.fr/2012/11/a-drones-eye-view-revealing-killing.html|a piece I wrote last November]], which looked at contemporary artists’ responses to drones. It was an attempt to provide some recent art-historical context. Below is a rough account of what I said, annotated and illustrated where practical.
 [[http://c-astral.com/|{{http://farm8.staticflickr.com/7285/8738492108_5cf0ae9ed2_o.jpg}}]]
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 C-Astral Bramor UAV during landing, Kilpisjaervi, Lapland, November 2012, courtesy of Marko Peljhan
-On Tuesday 16 April 2013, I gave a talk in Brussels at the seminar, //[[http://thedigitalnow.be/?page_id=178|Look Up in the Sky!]]//, which was organised by Cimatics as part of their [[http://thedigitalnow.be/?page_id=7|Digital Now]] programme to coincide with the Brussels Art Fair. Michel van Dartel moderated, Bram Crevits introduced the exhibition he curated for the programme, and [[http://booktwo.org/|James Bridle]] gave an excellent talk on drones called ‘A Quiet Disposition’, which he’ll be [[http://is.gd/jamestalk|reprising at Lighthouse]] in Brighton, on 9 May 2013.
-My talk followed on from [[http://decelerator.blogspot.fr/2012/11/a-drones-eye-view-revealing-killing.html|a piece I wrote last November]], which looked at contemporary artists’ responses to drones. It was an attempt to provide some recent art-historical context. Below is a rough account of what I said, annotated and illustrated where practical.
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